I have already mentioned that my classes are twice a week, focusing not so much on English anymore but rather on art history and history in general. Although, of course, the ultimate goal is to improve my English along with increasing my knowledge on subjects that interest me.
Yesterday we discussed Repin and Kramskoy. I learned a very interesting story about the painting “Ivan the Terrible and His Son Ivan.”
On January 30 (17), 1913, the painting was severely slashed by a visitor, Abram Balashov, who claimed he did it “in a burst of emotion.” Soon after, Repin himself arrived from Kuokkala (now Repino), where he was living at the time.
Repin was almost seventy years old at that moment. The artist agreed to restore his painting.
It is worth noting that long before this incident, Tretyakov had stopped allowing Repin into the gallery with an easel and paints. It was normal for Repin to take an easel, enter the Tretyakov Gallery, take down his own canvas, and add what he thought necessary or sketch out what he deemed unnecessary. Tretyakov, of course, disliked this, as he purchased the paintings in what he considered their completed form, and he had subsequently asked the guards not to let the artist in with his paints.
But this time, they called him, and even with paints. And Repin went all out. Grabar writes: “When I entered the room where the painting was locked up and I saw it, I couldn’t believe my eyes: Ivan the Terrible’s head was completely new, freshly painted from top to bottom in some unpleasant lilac hue, terrifyingly mismatched with the rest of the painting’s palette.”
In short, afterward Grabar and Bogoslavsky had to wash off all the new art and restore it to its original state.
When several months later Repin again visited Moscow and entered the gallery with Korney Chukovsky, he was overall satisfied with the condition of the painting. The old man wasn’t told that they had washed off everything he added and had trouble restoring it to its original state.
In the 1920s, Kuokkala became part of Finland (along with Repin), and he died in 1930 without seeing “the return” of Kuokkala after World War II.
In 2018, the painting was attacked a second time. A man named Igor Podporin seriously damaged the frame and canvas with a metal barrier pole. The restoration took four years, and the result was shown to journalists, but it will only return to the museum at the beginning of next year, if the Tretyakov Gallery figures out how to protect it adequately.