Luck Over Talent: Decoding the True Drivers of Success | February 08 2025, 00:51

A lengthy post on how to achieve success! For free! No registration or SMS required! I just stumbled upon a scientific study proving that the role of chance in success is greater than that of talent. And this resonated with my belief that successful people are successful because they are lucky, not because they are extraordinarily talented, smart, or unusual. Rather on the contrary, they are so because they’ve been lucky. Note, not because they are “lucky ducks,” but because they’ve been lucky. These are different things.

Let me argue this. There’s a study “Talent vs Luck: the role of randomness in success and failure,” authors Alessandro Pluchino, Alessio Emanuele Biondo, and Andrea Rapisarda. Yes, the funny part is that Alessandro received the Ig Nobel Prize for this work (“a symbolic award for scientific discoveries that ‘first make people laugh, and then make them think'”). They used agent-based modeling to analyze the contributions of talent and luck to success.

As initial data, they took supposedly objective things: talent and intelligence are distributed among the population according to the normal (Gaussian) distribution, where most people have an average level of these qualities, and extreme values are rare, while wealth, often considered an indicator of success, follows the Pareto distribution (power law), where a small number of people own a significant portion of the resources, and the majority owns only a small share.

Further, the authors developed a simple model in which agents (1000) with varying levels of talent are exposed to random events over the hypothetical 40 years, which could be either favorable (luck) or unfavorable (misfortune). Each such event affects the “capital” of an agent, serving as a measure of his success.

Result: Though a certain level of talent is necessary to achieve success, it is often not the most talented individuals who become the most successful, but those with an average level of talent who experience more fortunate events. There is a strong correlation between the number of fortunate events and the level of success: the most successful agents are also the luckiest.

My observation of how the world works completely agrees with these conclusions. You just need to do things so that you’re more fortunate. That’s it. Don’t try to be the smartest—it doesn’t help as much as the following things do:

1) Being in environments where important events occur. Silicon Valley for startuppers. New York for financiers. Hollywood for actors. If an environment increases the chance of meeting “key” people, it makes sense to place oneself in that environment.

2) Creating more points of contact with the world and maintaining them. Running a blog, writing articles, giving interviews. Attending conferences, participating in communities. Calling and writing to acquaintances and semi-acquaintances, especially when such calls and letters are potentially important to them. Expanding the number of contacts—even if 99% are useless, 1% can change your life.

3) Increasing the number of attempts. The more projects, the higher the chance that one of them will “hit.” The best example – venture funds: they invest in dozens of startups, knowing that success will come from only one. Artists, writers, musicians create hundreds of works, knowing that only one will become a hit.

Unfortunately, for this point, you need to love your work. So choose a task where attempts are enjoyable.

Organizational psychologist Tomas Chamorro-Premuzic in his book “Why Do So Many Incompetent Men Become Leaders?” asserts that luck accounts for about 55% of success, including such factors as the place of birth and family wealth. This is true, but since you are sitting on Facebook on an iPhone with a cup of coffee and not herding cows in a loincloth in Africa, you already have pretty good initial conditions.

From here, an interesting conclusion — is it necessary to study at a university to achieve success in life? Look at the points above. Being in the right environment, creating more points of contact, increasing the number of attempts. Out of these three points, two work better in the case of face-to-face learning, while the third does not work well because the university consumes 4-5 years of life (and the university is one attempt). But the other two criteria are very important—during the period of study, the average student interacts with hundreds of peers, who can make a significant contribution to the likelihood of this student’s success.

But sitting at home with books for five years does not meet any criteria. Online education lies somewhere in between, see for yourself, it varies, but it’s closer to the option of “sitting with textbooks.”

The authors of the study confirmed the concept of “The Matthew Effect.” This is from the Bible: “For unto every one that hath shall be given, and he shall have abundance: but from him that hath not shall be taken away even that which he hath.” (Matthew 25:29). They explain why success accumulates even if it is initially random:

People who are fortunate in the early stages receive more resources, opportunities, and attention. This, in turn, increases their chances for new fortunate events. As a result, those who were initially in a better position continue to build on their success, while the rest lag behind.

This explains why wealthy people often receive profitable investments, popular artists become even more popular, and less known ones remain in the shadows, and companies that “hit the stream” attract more customers and resources than their less fortunate competitors.

That’s why success also requires following the principle of “Fake it till you make it.” Successful people often exaggerate their skills or achievements, and then catch up to the proclaimed level. Society easily forgives and quickly forgets such things, but when they work (and they often do), the person no longer really needs them. There’s also a self-fulfilling prophecy—the idea that if a person states something as a fact (even if it’s an exaggeration), they and those around them start behaving as if it’s true, and eventually, it becomes reality.

There’s also the principle of “there’s no harm in asking” (It doesn’t hurt to ask). The principle is that if the likelihood of success is increased by asking someone a question (“can you raise my salary starting in March or put me in charge of that project”), then it’s worth asking. You never know unless you ask.

And one more thing. Act now, apologize later. Actions speak louder than words. As you know, being at the right time in the right place not only involves the right place (this is the first point from my list), but also the right time. Therefore, just do it. People who don’t dream but act never end up homeless on the street because they rushed.

And finally. Time is a finite resource. There was a good idea about the sheet with squares—google “90 years of life in weeks.” You can color the lived weeks and look at the remaining ones.

So, in summary.

Success is determined by luck, not talent. Talent helps, but is often formed under the influence of success. Knowledge is useful, but experience is more valuable. Time is a finite resource. Planning doesn’t work, three things do:

1) being in an environment where important events occur,

2) creating more points of contact with the world and maintaining them,

3) increasing the number of attempts where luck might work.

Three principles:

1) Fake it till you make it

2) It doesn’t hurt to ask

3) Actions speak louder than words

The Paradox of Software Complexity and AI’s Role in Legacy Systems | February 07 2025, 14:30

It is fascinating to observe how, with increasing complexity and over time, software transitions into a state of being “a thing in itself”, where even the developers do not fully understand how it works, or more precisely, why it sometimes suddenly malfunctions, and prefer to minimally interfere with it, leading them to understand it even less over time, and it solidifies into what it is for years. This process is known as software rot or legacy paralysis.

However, bosses and the market demand development, so instead of fundamentally changing and improving something, developers add “bells and whistles” which grow alongside, rather than changing the core product. It’s well understood that diving into the core product might set you on a path leading to disappointments, deadline failures, layoffs, etc.

Interestingly, with the advent of AI, this problem will only intensify on one hand because the team will understand even less about how things work, but on the other hand, complexity can be managed better because AI can analyze complex matters more easily than a single biological brain.

For instance, AI could be used to create tests for existing code, as well as to perform anomaly detection and potential bug hunting, for creating documentation and explaining the code structure from simple to complex, and it might partly automate refactoring and detect performance bottlenecks.

I believe such AI solutions for working with legacy will soon be a major market.

Exploring Frances Bell: A Modern Master of Detail and Color | February 06 2025, 20:59

(ENG) A truly cool English artist, Frances Bell. Her works are either portraits or scenes of people by water, yet all are executed with immense attention to detail without the actual details—directly following the principles of Sargent. Traditional techniques, simply people, alive, posing. Frances claims she works solely from life, no photographs involved. Observe how splendidly she conveys colors and shapes, “with a single stroke”.

Similar posts are grouped under the tag #artrauflikes, and at beinginamerica.com under the ‘Art Rauf Likes’ section, all 145 are available (unlike Facebook, which forgets (overlooks) almost half of them).

(ENG) A remarkable English artist, Frances Bell. Her canvases depict either portraits or people beside water, yet all are crafted with prodigious care for details—amazingly without actual details—a true adherence to Sargent’s tenets. She employs traditional techniques, capturing lively, posing individuals. Frances asserts that she operates purely from life, eschewing any use of photographs. Notice the masterful rendering of colors and forms, oftentimes achieved in “a single stroke”.

Posts of this kind are collected under the hashtag #artrauflikes, and at beinginamerica.com in the ‘Art Rauf Likes’ section, you can find all 145 of them, unlike Facebook, which neglects (disregards) nearly half.

(/ENG)

Navigating Life with ChatGPT: My AI Assistant Addiction | February 05 2025, 21:04

So, I’ve developed a bit of a ChatGPT addiction. It has overtaken Google and Facebook and is slowly creeping into all areas of life.

(Specifically, I use not only ChatGPT because for certain needs we have to use an analog developed by our engineers on our internal corporate network, so everything below is not only about ChatGPT, but about AI assistants in general. But for personal needs, it’s only ChatGPT for me.)

(1) Over the last six months, I’ve probably created a couple hundred Python scripts for data processing. I didn’t write any of the scripts myself (although I could; ask me again in a year or two, I might no longer be able to). To write a script for processing data, I just clearly state what I need, then closely examine the result, and if I like it, I run it. If it doesn’t work, and something needs tweaking, I tweak it myself. If it’s completely off, I ask for it to be redone. Most often, I end up with what I need. Example: read a CSV, create embeddings for all lines, cluster them, then write the results in separate files with the cluster number in the name. Or implement some complex data grouping.

I must mention bash commands separately. For example, I can’t recall how to sort lines from a file by length using command line and get the longest ones. Or I’m too lazy to remember detailed syntax for awk or jq to process something from the files through a pipe, it’s easier to ask ChatGPT.

(2) Lately, I frequently translate between Russian and English using LLMs. Rather than writing something in English myself, it’s easier to write it in Russian, get the translation, and then throw it into an email. It’s simply faster. It’s not even about the proficiency in English – of course, I could write it all myself. It’s about how much time is spent on phrasing. The argument “it’s twice as fast and clearer” beats all else. A downside—my English isn’t improving because of this.

(3) Generally, I run nearly 100% of the English texts I write through various LLMs, depending on the type of text. I ask them to correct the grammar, then copy-paste the result wherever I need—into an email or a Jira ticket. It seems I will soon have an anxiety that I sent something unreviewed. Because they always find something to correct, even if it’s just a minor thing like a missing article or a comma.

(4) When I’m too lazy to read large chunks of English text, I frequently throw them into ChatGPT and ask for a summary—sometimes in Russian. Can’t do this for work because the texts are often from clients, but if it’s really necessary, I also have access to a local LLM.

(5) I’m increasingly validating various design decisions (not visual design, but software design) through ChatGPT/LLM. I ask for criticism or additions. Often, the results make me think about what needs to be improved or what assumptions need to be added.

(6) I also use it for summarizing YouTube videos. Just download the subtitles in TXT format through Youtube subtitle downloader, throw them into an LLM, and then you can request summaries or ask questions based on them. It really helps to decide whether to watch the video or not.

What are your usage patterns?

Posthumous Publications of Twain and Kafka | February 05 2025, 05:00

Today I read that it turns out Mark Twain had willed that his autobiography (a manuscript of 5,000 pages, by the way) not be published until 100 years after his death, and then you can do whatever you want. Generally, those 100 years expired in 2010 and three volumes of the autobiography were published.

I also discovered that Kafka had intended for “The Trial” to be destroyed, but it was published anyway. That’s the one where the guy goes to court, and suddenly they start trying him there.

Exploring Emanuele Attadia: Ancient Themes in Modern Artistry | February 05 2025, 02:29

An intriguing artist — Emanuele Attadia (Italy, b. 1986). A fusion of the ancient and modern. There’s realism, yet it’s imbued with an unusual tenderness. I’m particularly fond of his use of color and his selection of motifs.

Similar posts can be found under the tag #artrauflikes, and on beinginamerica.com in the “Art Rauf Likes” section, where all 144 posts are catalogued (unlike Facebook, which loses track of (or disregards) nearly half of them).

Misunderstood Musicians: A KGB Officer’s Orchestral Oversight | February 04 2025, 22:45

A KGB officer came to check the symphony orchestra before their trip abroad. He watched the rehearsal. Sharing his impressions:

– Overall, not bad, you can feel the team spirit, especially those with the bows. But there are some shortcomings: that guy at the back, during the whole rehearsal, only hit with his stick about three times – he was mostly slacking off…

– Well, that’s our drummer, that’s his part…

– Don’t give me that, there’s only one Party for us, and he needs to hit more often! (C)

Anna Artamonova, this relates to your question about how we work 🙂

Exploring Arturo Márquez: A Contemporary Classical Journey | February 04 2025, 04:07

Nadya says, write about contemporary composers, not just about contemporary artists. Well, of course, she means classical, not pop music ones.

Here’s a good one for today – Mexican composer Arturo Márquez with his piece Danzon No. 2. Director Guillermo Ortiz Pichardo made a small short film about it, slightly nonsensical, but very much in tune with the music. By the way, the composer himself appears at 5:19.

In the comments, I’ve left a piano rendition of a segment performed by Yuja Wang. It might even be worth listening to these three minutes first. A really cool performance.

#musicrauflikes

Edible Gold: A Luxurious Yet Ineffective Delicacy | February 03 2025, 21:58

Recently, I was surprised to discover that gold leaf is edible, and when you see golden flakes on a quality cake, it’s actually real gold, not just some props. Here’s a kebab from Arkadiy Novikov and Jihan Deniz costing 23,550 rubles.

Another revelation was that such gold is quite affordable. A single sheet of purest 99.8% gold, palm-sized, sells for just 4 bucks. It’s sold in very thin sheets—about 100-500 nanometers thick (depending on the manufacturer). 100 nanometers is 0.0001 millimeters. To compare, the thickness of writing paper is 130,000 nanometers, and a human hair is about 60,000 nanometers thick, while a gold leaf is only 100-500. If calculated, a sheet is approximately 600 atoms thick. Edible gold also comes in powder and flakes.

Turns out, this gold has its own E-number, E175 (while E174 is edible silver). Gold is not absorbed by the body at all; it passes through unchanged, so logically, it offers no benefits. However, sellers of edible gold claim its benefits are sky-high and it cures almost all ailments. Studies conducted in 1975 and 2016 showed, however, that there are indeed no health benefits.

The only benefit here is to show off your wealth and brag to your friends that you are, literally, pooping gold (remember, it’s not digested). Whether you should sift through your toilet matters looking for gold is up to you…

Interestingly, even anciently, gold sheets were somehow made to be 500 times thinner than a human hair.

The production of gold leaf started around the end of the third millennium BC when craftsmen learned how to purify the metal and hammer it into thin sheets. Traditionally, during the Middle Ages, gold leaf was prepared by rolling or hammering gold ducats (trade coins used in Medieval Europe) into approximately the thickness of foil. As the metal became thinner, it became more challenging to prevent the foil from sticking to nearby moist or greasy surfaces. To prevent this, “gold beaters would lay a small square of thin metal in the middle of a paper or parchment square and other metal squares on top of it in sequence, until a decent stack was formed; then they skillfully hammered it until the small squares of metal spread to the edges of the parchment.” Then these squares were cut into smaller squares, and the process was repeated. For the final stage of beating, when the gold reached its thinnest point, a special type of parchment called “goldbeaters’ skin” (made from the inner lining of calf’s intestine) was placed between the layers of foil. According to Cennino Cennini, about 145 sheets could be made from one ducat, and a Venetian ducat weighed about 54 troy grains. However, Cennini preferred his gold leaf to be thicker and recommended producing only 100 sheets from one ducat.