Chris Pratt’s Race Against AI in “Mercy”: A Cinematic Journey | February 10 2026, 16:24

We went to see the movie Mercy with Chris Pratt yesterday. Bekmambetov! His “screenlife” format has finally been expanded into a $50 million blockbuster and stuffed into IMAX. The guy really did well. First, he made six Yolki movies, and then, bam – he broke out and even started to produce something decent. (We were alone in the theater in super comfy motorized chairs. Empty halls — that’s pretty much the norm for the last many years. I don’t know how cinemas even break even. Even the bar was closed, it only works on weekends when more than two people show up to a hall)

So, the plot. The near future. The justice system is maximally optimized: instead of jurors and years of appeals — an impartial AI. The main character (Chris Pratt) is accused of brutally murdering his own wife. The evidence against him is significant, and society demands blood.

He is placed in a high-tech chair and given 90 minutes. This window” for defense — the time in which he must convince the algorithm of his innocence. If after an hour and a half the guilt probability” scale doesn’t drop below a critical threshold — he will be executed right there. Everything happens in real time, the movie runs for 90 minutes.

In the era of neural networks, this seems very timely. Screenlife here is ideal: we see the evidence and the world through the system’s eyes via cameras and browsers. Chris Pratt and Rebecca Ferguson on screen — always a plus.

However, what causes doubt is the attempt to crossbreed a hedgehog with a snake. Screenlife is good for its chamber feel, but here they sell us IMAX 3D, explosions, and chases, although 95% of the time the hero just sits in a chair.

Classic cinema for streaming. Not bad. On the couch with pizza on a Friday night — it’ll be great, there’s a solid detective story. Your brain might explode from the overload of details. Big question whether it’s worth paying for an IMAX ticket to watch Pratt watching a monitor… Who knows. There are some action scenes here and there, and they’re pretty good, but only occasionally.

Overall, detective fans should like it. From the plot, it’s clear they won’t fry the guy in the chair at the end of the movie, the question is how he’ll manage to wriggle out of it.