Here is the text translated to English, with the original style and HTML tags preserved:
It occurred to me:
Professionalism is the ability to achieve what’s needed when there is a lack of brains, experience, nerves, and luck in oneself and others.
Here is the text translated to English, with the original style and HTML tags preserved:
It occurred to me:
Professionalism is the ability to achieve what’s needed when there is a lack of brains, experience, nerves, and luck in oneself and others.
I recently heard an interesting thought about why there are so many Chinese on the piano scene, and why they are often associated with astonishing, virtuosic technique, but often lack emotional depth. The idea was that the Chinese language does not facilitate emotional intonation — this reflects on musical phrasing, artistic expressiveness. The tonal nature of Chinese, in which the pitch of vowels in four positions signifies different meanings of words, lacks what is found in the tradition of European languages — expression through intonation in speech as a reflection of human emotions. For the Chinese, expressing emotion through gestures, which in turn fit beautifully into the complex picture of national dance, Chinese theatre, is natural. But not in music. Moreover, for a Chinese person, copying what the best in the world do means much more than trying to create something own, individual. Indeed, we see this not only in music.
Denis Matsuev, when asked by a correspondent how China managed to create a real musical empire from virtually nothing, replied, “Because they present their culture as a national product. Today, if a boy is born in a family, he almost automatically enters a music school.”
The comment about weak intonation — weak compared to the very strong technique — applies to the average mass, but not to the top pianists, of course. But among these top performers, there are more Chinese than any other nationality. For instance, notable are Lang Lang, Yundi Li, Yuja Wang, Muye Wu, Haochen Zhang, and Ji Liu.
I’m thinking, maybe I should write about pianists and composers, as I sometimes write about artists. There’s a wealth of interesting stuff there, but musical videos don’t do so well on Facebook.
(The attached video features a 2.5-year-old)

In the past month, I’ve flown across four countries on two continents—Canada, Mexico, France, Germany—endured three flight postponements until the next day, but fortunately, the number of landings equaled the number of take-offs. I actually haven’t been home for a month. Along the way, I snapped some photos from the airplane windows. Sharing them now.









In Frankfurt, there’s an absolutely insane shopping center called My Zeil





I walk past an absolutely insane bank building.

I’m currently walking by a statue that you can throw in the chat when someone is spouting some wild nonsense. Take it, I don’t mind.

Valentin Gaft composes an epigram about himself

I don’t understand why everyone is so fond of the Venus de Milo. Clearly, her head is too small compared to her torso, which is also unnaturally long, although perhaps a normal-sized head would compensate for that. Can’t anyone else see this?

The best pic from the Louvre is the one from the Louvre’s elevator. UI at a “god” level

Marriott designers pondered long on which design to choose for the ceiling


