Exploring “Life of Pi”: From Book to Play | January 02 2025, 05:11

The performance of “Life of Pi” was something I couldn’t miss. I read Yann Martel’s book in Russian, then—for educational purposes—in English, later I listened to the audiobook in English for the same reasons, then spent time during a long family car trip listening to the audiobook in Russian, and eventually watched Ang Lee’s film. And now, I’ve finally gotten around to the play.

I always thought of a play as something much simpler than the show we just came from. The “Broadway standard” keeps the audience awake not only with an interesting script (which reflects the book 99% of the time) but also with some amazing audiovisual effects: projections on four walls, intricate set designs, actors’ movements synchronized with programmed effects. The use of puppetry was particularly impressive; considering the story involves many animals, all of which are crucial, transferring this to the stage always seemed to me an incredibly challenging task.

The plot is as follows: after a shipwreck in the middle of the Pacific Ocean, an Indian boy named Pi Patel survives on a lifeboat with four companions—a hyena, a zebra, an orangutan, and a Royal Bengal tiger.

When I first read the book, I didn’t even know that somewhere at the end of the first third the “intensity” with the shipwreck and the struggle with hunger and fear would begin. Because the first third is philosophical—about religion and how the young Pi simultaneously combines several beliefs in himself. For me, it was almost a meditative reading: measured, thoughtful, with reflections on God, the meaning of life, and how to find one’s place in the world. It seemed that the book was moving towards something profound but unhurried. And then suddenly—shipwreck. Pi’s life is turned upside down, and a completely different story begins—harsh, severe, filled with despair and the struggle for survival. But there is also a third part, quite psychedelic, but I won’t spoil it. This third part was compressed into one minute in the play, but it was done very organically.

Perhaps, the play added new shades to my perception of this story. If the book and film focused more on emotions and philosophy, the play emphasized visual and emotional shock. However, all of them highlight the main question: where does reality end, and fiction begin? What part of what Pi experienced was reality, and what was a product of his imagination, trying to cope with the horror?

After the play, I thought again that each art form shows this story in its own way. The book is about reflections, and the play is a visual explosion, perhaps even stronger than the film of 2012. But the main thing is that after all versions of “Life of Pi,” I realized one thing: sometimes a well-told story is enough to step out of the theater and discuss it over dinner, recalling the brightest moments. This play is definitely worth seeing.

Urgency in the Stall: A Workplace Notice | December 21 2024, 16:39

In each stall: (Translation)

Staff, attention!

The toilet you are using right now is intended for urgent matters, not for playing on your phone or surfing the web. If you are currently playing or browsing the internet, stop. Our employees need to be working in the store, not lingering in the bathroom. Yes, even now, customers are waiting for you in the store. When you finish, return to the store as quickly as possible and do your best at your work. And never delete this message.

Clearly, they have a serious problem.

Digitizing International Tapes: A Journey from PAL/SECAM Challenges to Solutions | December 19 2024, 00:19

Remember how I mentioned needing to digitize old tapes brought from Russia? A solution was found. Maybe it will be useful to someone, so here’s the story.

First off, it turns out you can digitize tapes for free by just visiting the local Leesburg library. They have a bunch of equipment available for free use, from engravers to 3D printers; you only pay for consumables. There are no consumables needed for tape transfer, so it’s completely free.

However, it turned out that this doesn’t work with tapes from Russia. Because in Europe it’s PAL/SECAM, and the equipment in the USA is NTSC. So, they just aren’t compatible.

Friends let me know that they have a PAL/SECAM standard VHS player and video capture equipment with HDMI. Hurray! That solved half the problem—I managed to digitize all the “big” tapes. But there were still MINIDV tapes. Technically, MINIDV is a digital format, and ostensibly PAL/SECAM/NTSC shouldn’t matter, but it turns out MINIDV cameras are still region-dependent and can only play tapes recorded in their native format.

Finding a PAL/SECAM camera in the USA was not easy, and shipping one from Europe was too pricey. So, I just went to Istanbul.

Of course, I didn’t go there just for the camera. But I did buy one. Istanbul’s market setup is very convenient. The whole city is like a market. If you need electronics, there are at least two places that sell only electronics, and there are places that sell only photo-video equipment, both new and used, and they also offer repairs. In one such place, there are three floors, each large, in another—six, but each smaller.

The lowest price for a MINIDV camera was 3,500 lira, which is roughly 100 dollars. Nobody is willing to drop even 10%. I found about 10 cameras in different places. Eventually, I managed to get a slightly flawed one (minor issue) for 2,000 lira—about 57 dollars. Samsung Duocam VP-D6550i PAL. It’s a model from 2004 (21 years ago!) with a cassette and SD cards. And it seems like all these cameras are new. I don’t know how that works—maybe the Turks have learned to restore old cameras to perfect condition, but more likely, the Chinese just never stopped making them.

As I write this post, the third tape is being copied. But it wasn’t all smooth sailing. The power supply, although it says 100-220V, does not work on 110 volts—it does not output the necessary 7.2V. I had to buy an additional camera battery charger for 10 dollars, which is universal at all markets.

For video capture, a combination of AVERMEDIA LiveGamer GC311 (thanks, Misha!) and a simple RCA to HDMI Converter is used. The AVERMEDIA software is very good—it works “like clockwork.”

The camera is quite remarkable for 2004. It has a separate lens for photos and—separately—a telescopic lens for video. There’s even a built-in flash. In short, the task is accomplished.

Exploring Information Networks and Governance in Harari’s Nexus | December 11 2024, 14:29

Continuing (this is part 3) to share the main theses of the new book Nexus by Harari. See previous parts here #raufnexus

The first part of the book explores concepts of information and information networks, examining them through the lens of memetics. Harari describes information as a tool that unites people and forms common myths or worldviews. Well, I’ve mentioned this in previous posts.

Moving on, he discusses forms of governance. Harari proposes a model where democracies and autocracies differ in how they manage information:

1) Autocracies centralize information, suppress dissent, prioritizing order over the pursuit of truth.

2) Democracies decentralize information flows, allowing for error correction and a closer approach to truth, even at the cost of some chaos. The main feature of democracies is the recognition that people can make mistakes and have mechanisms for self-correction. And it’s not just majority rule or elections. It includes various human rights and civil liberties that the majority cannot infringe upon. While different among democracies, they generally come from the same pool.

Dictatorships, in contrast to democracies, view the Center as infallible, weakening independent verification mechanisms.

He writes that democracies were long limited by small scales until telecommunications enabled the development of modern democratic institutions. Well, how do you gather people from a large territory, many of whom speak their own languages and live with local issues, knowing nothing about the problems of their neighbors, much less about the issues of an entire country or empire.

And that autocracy often emerged not because the ruler was so inclined, but because anything else technically could not work. Example — the Roman Empire. Without the Internet and media, there’s just no way to establish democracy there. Democracies worked in small Greek cities and even those with “asterisks.”

In short, without the media, internet, and TV, democracies in any sizeable communities are impossible in the modern world.

Harari believes that progress in AI disproportionately strengthens totalitarian systems by enabling mass surveillance and suppression of dissenters. In other words, AI gives less to democracies than to autocracies. Technologies often amplify the spread of disinformation rather than truth, leading to catastrophic consequences like Europe’s witch hunts or ethnic cleansings in Myanmar.

About social networks: Social network algorithms optimizing engagement provoke polarization and the rise of populism, weakening democratic systems. This is not an accidental outcome of the technologies but a systemic problem. How to solve it, Harari has not yet proposed, but I haven’t finished reading yet.

Harari provides an interesting example (although very well-known):

He writes that a far more ambitious project of totalitarianism could have been implemented by the Qin dynasty in ancient China (221–206 BC). Why it could have, and not was implemented is because there’s little information on the results, only the process. To consolidate power, Qin Shi Huang aimed to destroy any regional forces that could challenge him. Local aristocracy’s lands and wealth were confiscated, and regional elites were relocated to the empire’s capital, Xianyang.

Look what he came up with:

On the bright side — he introduced a new simplified script, standardized coins, measures of weight, and length. A road network was built, radiating from Xianyang (the capital), with uniform inns, stations, and military posts.

But at the same time, a very deep militarization of society was carried out:

Each man was assigned a military rank, and the population was divided into groups of five. People were not allowed to change their residence without permission; even sleeping at a friend’s required identification (remember, you had to register if you moved to a new city for more than 3 days in the USSR and early Russia?).

The official ideology became legalism, asserting that people are inherently selfish, requiring strict laws and punishments to manage them. Like in “Election Day 2” — “the people are wonderful! But individuals are crap!”

Confucianism and Taoism were banned, books with ‘soft’ views were destroyed. No relaxation allowed!

Literature criticizing the dynasty was confiscated, and dissenting scholars were persecuted.

Total militarization and the concentration of resources for military purposes led to economic problems, wastefulness, and public discontent. Harsh laws, huge taxes, and a hostile attitude toward regional elites exacerbated this dissatisfaction. Limited resources of agrarian societies and the low efficiency of information technologies made it impossible to control the entire empire. As a result, in 209 BC, uprisings began by discontented peasants, regional elites, and even officials. Fifteen years after its foundation, the Qin dynasty fell.

After a series of wars, power was transferred to the Han dynasty, which abandoned totalitarian methods in favor of a softer, autocratic system based on Confucian principles. Emperors of Han, like their Roman contemporaries, managed only key aspects of society, allowing regions significant autonomy. Full-scale totalitarianism remained a dream of ancient rulers, whose realization became possible only with the development of modern technologies.

(Reading on, can write more if interested. Just keep supporting with likes and shares (especially!) for motivation)

#raufnexus

From Myth to Bureaucracy: The Evolution of Information Networks | December 10 2024, 11:39

In the previous post, I wrote about the role of information according to Harari, discussing the idea that information unites people through myths and creates intersubjective realities. Click here — #raufnexus

Today, about how humanity came to document stories and the complexities encountered along the way. The text is long, pour yourself some coffee.

The book mentions a great example of the importance of stories with the Ramayana, which was previously unknown to me — an ancient Indian epic, familiar to roughly a billion Hindus (and probably unknown to everyone else). It has 24,000 verses (originally, in Sanskrit, 480,002 words — about one quarter of the text of the “Mahabharata,” which is four times larger than the “Iliad”), spread across seven books and 500 songs. And somehow, generations of Hindus memorized all of this. So, in India, they made a film adaptation (not the first and probably not the last time) — a series of 78 episodes. This series was shown in 55 countries and gathered a total audience of 650 million viewers. During a re-airing (from March 24 to April 18, 2020), it reached 2.5 billion views in just 25 days, becoming the most popular Indian television series by a long shot and one of the most-watched series globally.

Understandably, few now try to memorize all the twists and turns of the Ramayana plot, but overall, the series served as a “document, packaging knowledge in a very audience-friendly form.

Today’s notes logically continue this theme: Harari reveals how written documents, and then bureaucracy, became the next step in the evolution of information networks.

I’ll start with the second part because it’s filled with more intriguing moments. About errors in documentary transmission of ideas.

Harari rightly asserts that the entire evolution is built on the fact that errors exist. They are also a central part of human experience, from mythology to bureaucracy. Indeed, the whole evolutionary process is based on errors in DNA replication.

Religions aimed to eliminate human fallibility, presenting their teachings as given by divine forces. In practice, however, it always required trusting human interpreters: prophets, priests, clergymen. The creation of religious institutions was an attempt to regulate divine revelations, but it remained dependent on people.

How to prevent uncontrolled changes in what these institutions considered the only correct version? Harari here compares the spread of Bible copies to blockchain 🙂 Basically, friends, it was all invented before you.

Like blockchain, where each new transaction is verified by a network of decentralized nodes, sacred texts were preserved in unchanged form thanks to numerous identical copies in different communities. This guaranteed the democracy and security of the text: even the most influential leaders could not alter the sacred words, because any discrepancies would become obvious.

It’s clear that errors could creep in at three levels — one misunderstood, then incorrectly recorded, and another misinterpreted what was first recorded. Then the cycle closed. Through many such cycles, you get something like the game of “Chinese whispers.”

But how did sacred writing as a book come about? This is quite an interesting topic.

During the 1st millennium BC, Jewish prophets, priests, and scholars created many texts: stories, prophecies, prayers, poems, and chronicles. A bunch of them even contradicted each other. And of course, during biblical times, there was no such thing as the Bible.

Harari provides many examples of how stories from original sources are greatly distorted by the time they are canonized. In the early centuries of Christianity, there were many texts claiming sanctity, including different Gospels, epistles, and apocalypses. In the 4th century, Christian leaders began the process of selecting “canonical” texts. This process concluded at the councils in Hippo (393 AD) and Carthage (397 AD), where a list of 27 books of the New Testament was established. Moreover, the texts themselves are often contradictory, and it meant a lot which ones were included in the Canon. Many texts were rejected as heretical (e.g., Gnostic gospels) or dubious in origin.

Jews do not recognize the New Testament, and when they say “Bible,” they mean the Old Testament, as well as the Mishna and Talmud. But for the Christian Bible, as Harari writes, Jews don’t even have a word 🙂

For example, the Bible includes 1 Timothy, where it mentions “Let a woman learn in silence with full submission; I permit no woman to teach or to have authority over a man; she is to keep silent. For Adam was formed first, then Eve; and Adam was not deceived, but the woman was deceived and became a transgressor. Yet she will be saved through childbearing, provided they continue in faith and love and holiness, with modesty.” Harari writes that contemporary scholars, as well as some ancient Christian leaders like Marcion, considered this epistle a 2nd-century forgery, attributed to Saint Paul but actually written by someone else.

In contrast to 1 Timothy, in the 2nd, 3rd, and 4th centuries AD, there were important Christian texts that regarded women as equals to men and even allowed them leadership roles, such as the Gospel of Mary and The Acts of Paul and Thecla. The latter text was written around the same time as 1 Timothy and for a time enjoyed enormous popularity. It tells the adventures of the apostle Paul and his disciple Thecla, describes how Thecla performed numerous miracles, baptized herself with her own hands, and often preached. Throughout the centuries, Thecla was regarded as one of the most venerated Christian saints and served as proof that women could baptize, preach, and lead Christian communities.

Before the Councils of Hippo and Carthage, it was not clear that 1 Timothy had greater authority than The Acts of Paul and Thecla. However, by including 1 Timothy in the recommended text list and rejecting The Acts of Paul and Thecla, the assembled bishops and theologians shaped the Christian attitude towards women, which persists to this day. One can only wonder what Christianity might have been like if the New Testament included The Acts of Paul and Thecla instead of 1 Timothy. Perhaps, alongside the “fathers of the church,” such as Athanasius, church history might have featured “mothers,” and misogyny would have been condemned as a dangerous heresy, distorting Jesus’ message of universal love.

So although sacred books became the foundation of Christianity, the real power was concentrated in the hands of church leaders interpreting the texts. Canonization has always been a human process, despite claims of divine inspiration.

About interpretations. The sacred book, for example, says you must not cook a young goat in its mother’s milk (Exodus 23:19). Some people interpreted this literally: if you have killed a young goat, do not cook it in the milk of its mother. However, cooking it in the milk of another goat or a cow is perfectly acceptable. Others interpreted this prohibition much more broadly, arguing that meat and dairy products should never be mixed, so, for instance, you cannot drink a milkshake after eating fried chicken. As strange as it might sound, most rabbis decreed that the broader interpretation is correct, even though chickens do not produce milk.

Or about the Sabbath. Here, the sacred scripture prohibits work on the Sabbath, and rabbis asserted that pressing an electric button counts as “work,” since electricity is akin to fire, and lighting a fire has long been considered “work.” Does this mean that elderly Jews living in multi-storey buildings in Brooklyn must climb hundreds of steps to reach their apartments and avoid work on the Sabbath? It turns out that Orthodox Jews even invented the “Sabbath elevator,” which automatically moves up and down the building, stopping at each floor, so you don’t need to perform any “work” by pressing a button.

Harari adds that with the advent of artificial intelligence, this story has taken a new twist. A facial recognition system allows AI to quickly send the elevator to your floor, not making you violate the Sabbath. Is this work or not?

If myths inspire and unite, then documents and bureaucracy organize and manage.

Bureaucracy includes various lists, tax records, budgets, property inventories. They are terribly boring to remember (because the brain isn’t designed for this), but critically important for management. And the invention of documents in general (including clay tablets) helped scale this process. There’s actually a lot of this organizing bureaucracy—we just don’t think about it. For example, universities divide knowledge into faculties, which limits interdisciplinary understanding, as in the study of pandemics (biology, history, mathematics).

Then there are reflections on what freed thought from the influence of the church—the process took quite a while, and Harari asserts that the invention of the printing press here played not a major role.

An interesting fact: In the 13th century, the library of the University of Oxford consisted of only a few books, stored in a chest under the Church of Saint Mary. In 1424, the library of Cambridge University had only 122 books. So when you hear “medieval library,” you can’t imagine shelves packed with books.

Above are some theses only about documenting religious stories and norms, but the topic there is much broader, but that’s a lot for one post.

I can write more if interested. Write if needed

Exploring Istanbul: A Personal Travelogue | December 09 2024, 08:06

The one who covered 39 km in Istanbul in a single day is me. Met my mom for the first time since COVID. Very happy! And for her, it was even the first trip abroad.

Today’s my last day here, half of which I need to spend working. So I’ll jot down some impressions. I’m sure most of you have been here, but still, a refresher.

The first unusual thing — everyone smokes a lot. I haven’t seen so many people smoking cigarettes (especially girls and women) in ten years.

You can’t cross the road where there’s a fence. Although if a crowd does it, it’s okay. Trams and taxis assume a pedestrian would generally prefer to live, so it’s in their interest to leap aside in time. Taxi drivers seem to feel the dimensions of their car down to the millimeter. For comparison, when I cycle on a (narrow for us) road in the States, a queue forms behind me, even though there’s space for 2.5 cars in width beside me.

There are a lot of men everywhere. In my hotel, for instance, young guys do the room cleaning. In restaurants, it’s also mostly guys, both in service and cooking. On the streets, the male to female ratio looks about three to one.

The seagulls scream differently than I’m used to. Sometimes their cry resembles a human scream.

Oddly, people don’t play backgammon or chess on the streets here. I don’t know if it’s a Turkish characteristic or just the times.

Everyone knows about the cats, but for some reason, during this visit, dogs caught my attention. I encountered three chow chows in just a few days – apparently, a popular breed here. But also, there are very cute strays. Mom didn’t miss a single one. They look clean, well-fed, and are very affectionate towards people and attention.

Almost no electric cars. Saw just one Tesla and one local “brew (Togg). In general, electric transport isn’t popular. There are very few private scooters and bicycles, probably just because for the overwhelming majority of working people here, they are seen as pointless luxury: you can buy a cheaper motorbike that travels faster and can even carry a load. And of course, hills play a part too.

Also, I noticed that in some languages, “Hello on the phone sounds exactly like it does in Russian, no accent at all. And Turkish is among them. Turns your head every time someone responds in ‘perfect Russian,’ and there’s a natural dark-haired, mustachioed Turk on the phone.

The water in glass bottles is very tasty, like HAYAT, for example.

It’s quite unusual to see so many cafés without people with laptops inside. They even talk to each other!

Global Museum Trek: Surprising Statistics and Desired Destinations | November 14 2024, 15:56

I decided to see which of the world’s largest museums I have visited and which ones still await me. I was quite surprised to find the Moscow Multimedia Art Museum in third place for visitors, after the Louvre and the Russian Museum, and ahead of New York’s Metropolitan, the National Gallery in Washington, the Hermitage, the Vatican, and the Tretyakov Gallery. I have never been to this Multimedia Art Museum, although I lived in Moscow for 17 years. Is it really that cool? Has been or is?

I also realized that we need to go to Madrid and Tokyo, with 4 museums in each, all pretty decent. In terms of the number of important and large museums, Paris (10) and London (8) of course lead, with Moscow in third place.

[X] Louvre (Paris)

[X] Russian Museum (Saint Petersburg)

[!] Multimedia Art Museum (Moscow)

[X] Metropolitan Museum of Art (New York)

[X] National Gallery of Art (Washington)

[X] State Hermitage Museum (Saint Petersburg)

[!] Queen Sofia Arts Center (Madrid)

[X] Vatican Museums (Vatican (Rome))

[X] State Tretyakov Gallery (Moscow)

[X] National Museum of Modern Art (Paris)

[X] British Museum (London)

[!] National Museum of Korea (Seoul)

[!] Prado Museum (Madrid)

[X] Royal Castle (Warsaw)

[X] Museum of Modern Art New York (New York)

[X] Tate Modern (London)

[!] Tokyo Metropolitan Art Museum (Tokyo)

[X] Musée d’Orsay (Paris)

[X] Somerset House (London)

[X] Uffizi Gallery (Florence)

[!] National Museum of Modern and Contemporary Art (Seoul)

[!] National Art Center (Tokyo)

[!] Shanghai Museum (Shanghai)

[X] Victoria and Albert Museum (London)

[!] Museum of New Zealand Te Papa Tongarewa (Wellington)

[!] Museum of European and Mediterranean Civilizations (Marseille)

[!] National Gallery of Victoria (Melbourne)

[X] Pushkin State Museum of Fine Arts (Moscow)

[!] National Gallery of Singapore (Singapore)

[X] National Gallery London (London)

[!] Fondation Louis Vuitton (Paris)

[X] National Museum in Krakow (Krakow)

[!] Thyssen-Bornemisza Museum (Madrid)

[!] National Gallery of Scotland (Edinburgh)

[!] Gyeongju National Museum (Gyeongju)

[X] Rijksmuseum (Amsterdam)

[!] Los Angeles County Museum of Art (Los Angeles)

[!] Hong Kong Museum of Art (Hong Kong)

[!] Musée du quai Branly (Paris)

[!] National Museum Tokyo (Tokyo)

[!] West Bund Museum of Fine Arts (Shanghai)

[!] UCCA Center for Contemporary Art (Beijing)

[X] Kunsthistorisches Museum (Vienna)

[X] Moscow Kremlin (Moscow)

[!] Frederik Meijer Gardens & Sculpture Park (Grand Rapids)

[!] Acropolis Museum (Athens)

[X] Guggenheim Museum Bilbao (Bilbao)

[X] Tate Britain (London)

[!] Petit Palais (Paris)

[!] Humboldt Forum (Berlin)

[!] Paris Bourse de Commerce (Paris)

[!] Getty Center (Los Angeles)

[!] Gallery of Modern Art (Brisbane)

[X] Museum of Fine Arts Houston (Houston)

[!] Whitney Museum of American Art (New York)

[!] Tel Aviv Museum of Art (Tel Aviv)

[X] Museum of Fine Arts Boston (Boston)

[!] Royal Academy of Arts (London)

[!] National Gallery of Australia (Canberra)

[!] Pudong Art Museum (Shanghai)

[X] Academy Gallery (Florence)

[!] Art Gallery of South Australia (Adelaide)

[!] Milan Triennale (Milan)

[!] Crystal Bridges Museum of American Art (Bentonville)

[!] Philadelphia Museum of Art (Philadelphia)

[!] Art Gallery of New South Wales (Sydney)

[!] Fabergé Museum (Saint Petersburg)

[!] National Palace Museum (Taipei)

[!] Virginia Museum of Fine Arts (Richmond)

[!] Cleveland Museum of Art (Cleveland)

[X] Garage Museum of Contemporary Art (Moscow)

[!] ARoS (Aarhus)

[!] Nelson-Atkins Museum of Art (Kansas City)

[!] Egyptian Museum of Turin (Turin)

[X] de Young Museum (San Francisco)

[!] National Museum of African American History and Culture (Washington)

[!] Museum of Decorative Arts (Paris)

[!] CaixaForum Barcelona (Barcelona)

[!] Kunsthaus Zurich (Zurich)

[!] Musée de l’Orangerie (Paris)

[!] M+ (Hong Kong)

[X] Van Gogh Museum (Amsterdam)

[!] Albertina Gallery (Vienna)

[!] Yorkshire Sculpture Park (City of Wakefield)

[!] Tomie Ohtake Institute (São Paulo)

[!] Queensland Art Gallery (Brisbane)

[!] Louisiana Museum of Modern Art (Humlebæk)

[!] World Museum (Liverpool)

[X] Smithsonian American Art Museum (Washington)

[X] National Portrait Gallery (Washington)

[!] MMCA National Museum of Modern and Contemporary Art (Seoul)

[!] Belvedere Museum (Vienna)

[!] Art Gallery of Ontario (Toronto)

[!] Saint Louis Art Museum (Saint Louis)

[!] Imperial War Museum (London)

[!] Pinacoteca do Estado de São Paulo (São Paulo)

[!] Tokyo Palace (Paris)

[!] Fondation Beyeler Museum (Riehen)

[!] National Museum of Modern Art, Tokyo (Tokyo)

[!] CaixaForum Madrid (Madrid)

Exploring Multilingual Nuances in Nabokov’s Lolita | November 14 2024, 00:24

Do you know what a cowcatcher is (English version – cowcatcher, literally a cow catcher)? It’s that red thing at the front of a steam locomotive.

Eventually, about halfway through the book Lolita, I set aside the English version and started reading the Russian one from the beginning. With English, the pacing of my reading lacks; I find myself wanting to Google something in every paragraph. In Russian, I only started googling by page 55.

Though I lie. I also paused at the phrase tant pis, which Nabokov left in French. Apparently, it cannot be briefly translated into Russian or English (the footnote “too bad”? – a silly translation). It is used to express regret that something went wrong but also implies acceptance of the situation since nothing can be changed now. I think the perfect translation would be “oops!”