The Paradox of Symmetry: Beauty, Boredom, and the Brain | July 06 2025, 23:13

Probably not just for me a contradictory perception of symmetry exists. On one hand, symmetry is perceived as a sign of harmony and stability because the brain processes and recognizes organized forms more quickly, which historically could have aided survival. Logically, it should be associated with beauty, health, and predictability, giving a sense of security.

It’s written that with one or two alcoholic drinks, symmetrical objects become even more attractive. “In a pilot study (Elena Karakashevska) involving 13 social drinkers, researchers were surprised to find that alcohol apparently enhances the brain’s response to symmetry.” The study also concluded that people look better after consuming alcohol 🙂 This reminds me of a joke about two friends, when one says, “Now we’ll go to the girls, one is alright – for me, and the other one is a bit ugly, but you drink some vodka — and she will be fine,” and when they arrive, they ring the doorbell, two women are on the doorstep, and the second says: “Oh, I can’t drink that much!”

On the other hand, excessive symmetry and monotony can cause boredom and irritation as the brain seeks stimulation and novelty. For example, imagine a symmetrical tattoo on someone. Can you picture one that you aesthetically prefer over an asymmetrical one?

Personally, I like small deviations and asymmetry, which make images lively and interesting. A certain balance of order and chaos. Pure symmetry seems very boring to me.

Started googling on the topic. “Japanese don’t like symmetry. If a vase on the table is in the middle, they will automatically move it to the edge of the table. Why? Symmetry as completion, as finitude, as repetition is uninteresting. For instance, the dishes on a Japanese table (dinnerware) will definitely have different patterns, different colors.”

Do you like symmetry?

Understanding Lens Distortion in Oil Painting from IKEA Photo References | July 02 2025, 21:55

Before painting it with oil, I study the perspective in a specific photo from IKEA. And here it is very noticeable why photo references should be used cautiously for drawing: camera lenses introduce significant distortions (this was already known and visible, the question is which ones and how to fix them when transferring onto a canvas). Look at this, the ellipses in pink and green were added by me, as well as the vanishing point and lines to it. Everything on the edge is distorted. Pay attention, for instance, to the neck of the bottle on the left.

A good exercise to prepare everything in advance on the canvas.

Unveiling Ancient Numeric Codes in “Slave for Sale” by JosĂ© JimĂ©nez Aranda | June 27 2025, 21:00

An interesting painting “Slave for Sale” (Una Esclava en Venta), 1897, by Spanish artist Jose Jimenez Aranda.

From it, I learned that just as there were Roman numerals, there were Greek ones in Greece. Pay attention to the plate. It reads ΡΟΔΟΝ ΕΤΩΝ ΙΗ ΠΩΛΕΙΤΑΙ ΜΝΑΣ Ω, which translates to “Rhodon, 18 years old, for sale for 800 minae”.

In the Greek text, there are two numbers – ΙΗ and Ω. In those times, Greeks wrote numbers using letters: Α (alpha) = 1, Î’ = 2, …, I = 10, K = 20, …, Ρ = 100, ÎŁ = 200, …, Ω = 800.

Accordingly, ΙΗ is 18. The line above it indicates that it is a number, as does the line above Ω.

Exploring Maya Ruins and Termite Tunnels in Playa del Carmen | June 27 2025, 18:59

Here in Playa del Carmen, there are about a dozen abandoned Maya-era buildings that you can climb over and into, of course free of charge and at any time. Inside one of them, in a small room, I found interesting termite mud tunnels, which I had never seen in person before.

Alone Against the Ocean: A Tale of Feng Shui and Sargassum | June 26 2025, 19:26

On the shore, a lone woman was seen engaging in an unequal battle with the world ocean. Armed with a shovel, she heroically moved the sargassum two centimeters to the left, apparently to a place designated for them by feng shui. To the left and right to the horizon—nobody.

Faustian Dialogues in Modern Project Management | June 20 2025, 15:00

I think project managers can very well speak to developers in the words of Faust.

Well, here we go again, in the old manner

With you – all is uncertainty, all doubts,

In everything you create difficulties,

And for all, you wish for new rewards!

When will you, without any further talk, —

One, two: look, — and everything is ready soon!

(For context – this is Faust’s reaction to the refusal of the seemingly omnipotent Mephistopheles (Devil) to bring Helen of Troy and Paris from the realm of shadows to the stage for the Emperor’s amusement)

director

Don’t forget anything:

What can be done immediately,

Why put it off till tomorrow?

We must instantly grasp

All that is necessary and possible

(…)

“You have poorly executed it,

And left a gap in the corner”

And the designer might reply:

And you do not see, how vile and shameful

This craft?

Am I not an artist?

To the Manager:

“Fire! Help! Hell! We are all going to burn now!”

Switching to Pencil: Mastering the Art of Drawing with Three and a Half Rules | June 20 2025, 12:53

In the studio, we decided to switch from oil to pencil, which I hadn’t touched for years (and, frankly, never really knew how to use properly). But with practice, I understood just three and a half rules of good drawing.

1. Draw what you see, not what you think you should see if you look at the reference. This is the most difficult part because it involves fighting your own brain, which is convinced it knows what things look like.

2. Judgment of proportions. If something occupies a fifth on the reference, you need to distinguish it from a sixth or a fourth, and of course, see exact halves and thirds clearly. It’s like having a musical ear. If an imaginary line ends at a point on the ear, you need to see this imaginary line. It’s not hard, but requires practice, and it seems you need to practice it all your life. Interestingly, you are initially surprised at how wrong you are about proportions. There are many small optical illusions that one must get used to.

2.5. Angles. A continuation of judging proportions. You need to see the difference between, say, 45 and 40 degrees at least. And see where to turn the wrong line and by how much.

3. Ability to simplify. Any complex shape needs to be simplified in the mind to straight lines and shapes and draw those first, and also to reduce reality to spots of a maximum of a few shades (with white and black at the edges).

That’s all. If you master just these three and a half points, you won’t need anything else for a long time. No knowledge of anatomy, understanding of materials, or laws of perspective (all this is important, but comes later).

Discovering Goethe’s Faust at 47 | June 08 2025, 01:57

At 47, I finally got around to Goethe’s “Faust.” Ordered the book on Ozon, but it will only reach me in a month. So, I decided to start with the audiobook. And what a fabulous production it is! I’ve listened to eight out of sixteen hours, covering all of the first part and a bit of the second. Probably will spend another week chewing through the second part. And when the book arrives – I’ll read it all over again after the audio, which should go really well.

Trukhan’s performance is a masterpiece! The cello, the choice of voice actors, the intonations. I could not imagine a better “Faust” than the one voiced by Chonishvili. Highly recommend. Only occasionally there’s a bit too much with the musical numbers, but I need to check the text, maybe you can’t remove words from a song. The end of the first part in the prison is just fire.

https://youtu.be/MrWl7sORtwc?si=BJH8se2p45iIze22

https://youtu.be/MrWl7sORtwc?si=BJH8se2p45iIze22

Doubting the Fabricated Reality: An Antidystopian Paradox | May 31 2025, 13:47

Generated people are persuaded that everything around them is not real, and that they themselves are made of prompts, but they do not believe.

It turned out dystopian.

It would be funny if we also didn’t believe that we are living in a simulation.

Or is it not funny?