Exploring the Black Box: AI’s Struggle with Novelty Creation | September 14 2026, 20:19

I’ve devised a simple illustration of where current AI still falls short.

Imagine a black box with two knobs sticking out. You move the first one β€” the second one moves too, but according to its own rules, like with delay, inertia, threshold, however you like. In essence, the box transforms f(t) into f'(t). The question is: what’s inside? It’s necessary not only to devise an efficient mechanism but also to fit it within the box’s dimensions.

Formally, this is almost like programming. Because one can formally describe input-output and come up with an “alphabet” for mechanical components inside. But unlike programming, there’s a lot of nonlinear aspects – the mechanisms are bulky, and one must take into account numerous factors from materials to friction, and importantly, it’s not so simple to test a prototype before creating it. But the main thing is not even this – it’s understanding the problem. The only way to find out what’s inside the box is to put forward a hypothesis and devise a knob movement in which this hypothesis and an adjacent one yield different results. A good experiment here is more important than a good answer. And models are trained on a corpus of solved problems, where mistakes have already been cleaned up, and there nothing trains the ability to choose the next question.

The point is this. It seems that the challenge for AI (we’re talking about LLM; the field is broader)β€” isn’t the assembly of the known, it handles that increasingly well. That is, with an “alphabet” for describing the task and laws of mechanics, AI can solve the box problem through combinations of the known, rather than through a fundamentally new component. The challenge is inventing something new. Although, to be honest, most human inventions, when analyzed, also turn out to be an assembly from far-flung pieces. Yet, consider the invention of the escapement in clocks, where all the components β€” a wheel and an oscillating fork, and even the very idea that the oscillating system shouldn’t be driven by a spring, but should itself regulate when the spring is allowed to release a burst of energy, reverses causality in the device, and took centuries to achieve. And the lockstitch in sewing machines. It’s pointless to copy a hand with a needle, instead, it’s necessary to pull a second thread through the loop of the first from the back, and the needle must have the eye at the tip. All this isn’t just assembly from components, it’s changing what is generally considered the task, and that’s why such things are so poorly derived by mere combination, whether by humans or models.

An inventor has feedback from reality and a cost for mistakes, so they learn to test before believing. Within one answer, a model has nothing to pay with for a wrong guess. And besides, if you replace the mechanics with particle physics, everything has to be redone because it all works differently there.

Interestingly, this is not cured by the size of the model, but by the structure of the task. Let the box respond to movements β€” and the task transitions from textual to experimental. Let’s see who learns to play this game first.

Pianos for Small Hands: A New Trend in Keyboard Design | May 23 2026, 18:04

WOW, there are and are sold pianos with narrower keys for small hands. I play the piano a bit, so the topic is close and clear to me. But my hands are not small, yet now I’m studying Chopin’s Nocturne in C# minor and I understand the pain πŸ™‚ So, I learned that the modern “gold standard” for key width was established in the late 19th century under the pressure of large factories and exclusively for large male hands of European virtuoso pianists. It is believed that because of this, almost all female pianists suffer, plus a quarter of men, and it is physically uncomfortable for them to play complex repertoires, constantly risking chronic tendon injuries. It would seem, well… oops. What else can you say here.

However, as it turns out, there is a solution and it’s actively being sold β€” these are so-called Stretto pianos or instruments of the DS Standard with slightly reduced keys. These are two new sizes: DS6.0 (universal reduced) and DS5.5 (for very small hands).

Manufacturers have learned how to make interchangeable keyboard blocks, which can be installed into a regular piano in just 5 minutes. Interestingly, a pianist’s muscle memory adjusts to the new size in just half an hour. Honestly, I can’t imagine it. But the fact is – the International Stretto Piano Festival is already taking place worldwide, where they play only on narrow keys.

Such pianos are produced by many,

On the other hand, Martha Argerich, for instance, with her small hands does the impossible (she’s about to turn 85 and she survived fourth stage cancer in her youth; she’s a very cool lady)