At the “Rzhipopisi” exhibition, a painting titled “Paris through the Eyes of Samuel Morse” was showcased. Essentially, dots and dashes—it sparked the idea for this post. Few know that Samuel Morse was actually an artist, and quite a decent one—check out a couple of his paintings attached to this post. But he was only “decent” by our standards—surrounded by many equally skilled artists, he considered himself a failure in this realm and devoted the second half of his life, 35 years, solely to the telegraph. (By the way, Hitler was also an artist, amateurishly decent, but more mediocre compared to Morse amidst his contemporaries, yet he ventured into politics). In the attached photos, there’s a painting with paintings. Its actual size is about two meters and among the paintings hanging there is even the Mona Lisa (La Joconde) by Leonardo da Vinci, which wasn’t valued back then as it is now. It mainly became famous after it was stolen from the Louvre, and then fervently searched for and found by the entire world.
By the way, Morse Code was not invented by Morse, but by Alfred Vail, his colleague—a fact Morse later repeatedly denied (while also attributing the invention of the telegraph itself to himself). In 1848, the Vail/Morse code was refined by the German Friedrich Gerke. The code, improved by Gerke, was used until new technologies came along.
(By the way, I don’t understand why it’s Morse and not Morz. He was American, and nobody ever called him Morse.)
Indeed, among people who were artists, about whom everyone has forgotten that they were artists because they remembered something else, it is worth mentioning besides Hitler, also Winston Churchill and George W. Bush Jr.





