The Evolution of Mermaids in Russian Folklore: From Legged Creatures to Aquatic Tails | August 08 2026, 02:15

WOW, it turns out that mermaids in Russia actually had legs, and if you asked about the tail, they would tickle you to death or drown the curious in the nearest pond. A specific feature — tousled blonde hair, hence the phrase from Dal “walks like a mermaid.” The name itself, however, is not from the type of blonde hair, but from “rusalki” — a spring commemorative festival.

And the tail actually came from sea maidens (mermaids). Mermaids are an invention of peoples living by the sea. In general, how mermaids merged with them in our perception is unclear, but it happened relatively recently.

Although there is one assumption. In Andersen’s tale, the little mermaid — literally a sea maiden (Den Lille Havfrue). But in Russian translation, it was called “Rusalka.” Lermontov has a poem “The Mermaid” from 1831, where she swims in a river. Surely the modern reader imagines a tail. There’s also a tale by Orest Somov, where the mermaid runs away from her mother, and her unfaithful lover—the Pole, was tickled to death by mermaids.

I illustrate with an 1871 painting by Ivan Kramskoy. With legs and Makovsky’s “Mermaids” (1879) – Makovsky painted it on an estate on the border of Chernigov and Poltava provinces, near Dikanka — that very Gogolian Ukrainian night, i.e., the same literary source as Kramskoy. They would have been very surprised by a tail. Also adding Prushkovsky’s Mermaids” (water nymphs) from 1877. Also attaching a drawing by Ivan Bilibin (1934).

By the way, those who depict mermaids with tails on trees – think about how she climbed up there.

Nadezhda’s Firsts: Oil Painting and Piano | March 12 2026, 18:55

Last week, Nadezhda Shulga painted an oil painting for the first time in her life and played the piano with one hand for the first time in her life! Nadya, well done!!! She asked me so many times to paint nature, that she eventually went ahead and painted it herself.

Samuel Morse: From Painter to Telegraph Pioneer | October 28 2025, 15:00

At the “Rzhipopisi” exhibition, a painting titled “Paris through the Eyes of Samuel Morse” was showcased. Essentially, dots and dashes—it sparked the idea for this post. Few know that Samuel Morse was actually an artist, and quite a decent one—check out a couple of his paintings attached to this post. But he was only “decent” by our standards—surrounded by many equally skilled artists, he considered himself a failure in this realm and devoted the second half of his life, 35 years, solely to the telegraph. (By the way, Hitler was also an artist, amateurishly decent, but more mediocre compared to Morse amidst his contemporaries, yet he ventured into politics). In the attached photos, there’s a painting with paintings. Its actual size is about two meters and among the paintings hanging there is even the Mona Lisa (La Joconde) by Leonardo da Vinci, which wasn’t valued back then as it is now. It mainly became famous after it was stolen from the Louvre, and then fervently searched for and found by the entire world.

By the way, Morse Code was not invented by Morse, but by Alfred Vail, his colleague—a fact Morse later repeatedly denied (while also attributing the invention of the telegraph itself to himself). In 1848, the Vail/Morse code was refined by the German Friedrich Gerke. The code, improved by Gerke, was used until new technologies came along.

(By the way, I don’t understand why it’s Morse and not Morz. He was American, and nobody ever called him Morse.)

Indeed, among people who were artists, about whom everyone has forgotten that they were artists because they remembered something else, it is worth mentioning besides Hitler, also Winston Churchill and George W. Bush Jr.

Revisiting the Sun: A New Invention in Art? | October 19 2025, 18:15

Interestingly, depicting the sun in a painting is a very recent invention. I haven’t seen a single painting in any museum where the sun is depicted above the horizon. Well, maybe with the exception of the Impressionists, Monet’s is very symbolic. In modern works, it appears more often. But in half, it’s a trace from a photograph.

Update: Turns out Aivazovsky has a lot of this. But he produced so many paintings in the studio with his students that it seems you can find any combination of little ships, waves, and sun.

Celebrating Marcia Klioze at the Arts Club of Washington | October 03 2025, 22:42

Friends, I am currently at the opening of Marcia Klioze’s exhibit at the Arts Club Of Washington and I am absolutely thrilled! I am so happy for my wonderful mentor, from whom I have been learning oil painting for two and a half years. Today her solo exhibition is here, and the atmosphere is simply magical.

I am proud to be learning from her invaluable experience and learning to see the world anew. Next Tuesday is another class😉 I’ve wanted to post her works for a long time, and today I finally have the opportunity to share (I asked for permission, so it’s all official)!

Almost all works are for sale, for those who are interested, do drop by

Classic Art with a Twist: Discovering Humor in “Рживопись” | September 16 2025, 19:12

Judging by the likes and shares, the previous collection was a hit, so here’s more! Context: Found a group on Telegram called “Pun Painting,” which was very delightful. Spent an hour during vacation using a script to download the paintings and apply their custom titles from their channel.

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Exploring Kal Gajoum’s Masterful Blend of Abstraction and Realism in Cityscapes | September 15 2025, 13:45

An interesting artist — Kal Gajoum (Canada, 1968). His works are amazing. Mostly cityscapes, but there are also a few still lifes. Judging by the number of works, Kal somehow manages to create these masterpieces almost like on a conveyor belt, yet you never feel like adding or removing anything from a single piece. For me, it’s the perfect balance of abstraction and realism. Enjoy 🙂