We just finished watching Le Nozze di Figaro with Nadezhda in a serialized mode and today we’ll continue with Don Giovanni, also in a serialized mode, because no one has the time. So, both of these operas were written by an American ๐ I mean the librettos. Turns out, Lorenzo Da Ponte, an Italian librettist, emigrated, naturalized in the U.S., lived here 33 years, taught Italian literature at Columbia University in New York, founded an opera theater in the USA, which became the precursor to the New York Academy of Music and the New York Metropolitan Opera. Really an interesting dude. His real name was Emanuel Conegliano. A Jew by birth, who became a Catholic priest, a friend of Casanova, and a supporter of Rousseau’s ideas. Before moving to the U.S., Da Ponte successfully juggled teaching and a small business, earning not so much from lectures as from owning a brothel for aristocrats which he maintained. In the U.S., he kept a grocery store in New Jersey and tried selling medicines in Pennsylvania. Lorenzo Da Ponte died on August 17, 1838, in humiliating poverty, a few blocks away from the boarded-up building of his theater. His grave in one of the New York cemeteries, which was not marked, eventually got lost. Essentially, the same post-mortem fate befell his friend Mozart.

