Earlier today I wrote a post about the Isabella Stewart Gardner Museum and, like everyone else, I referenced her will: it says that if the trustees change the layout, the entire collection goes to Harvard. This statement is quoted in every article, every guidebook, and every podcast about the 1990 heist. Then I got curious: what else is in the actual document? I went looking — and to my surprise, I found that the will is not publicly available. Everyone refers to it, but you can’t find it: not on the museum’s website, not in archives, nor in legal databases. All I found was a fragment on Scribd, where just the pages I needed were missing.
So I just wrote a letter to the museum archive. I sent it at 3:54 pm. By 3:58 pm, I had received a response — with photos of the original: seventeen handwritten pages on lined paper with red margins, red ribbon, wax seal, and the signature “Isabella Stewart Gardner” dated May 9, 1921, plus a typewritten codicil from 1924.
The most interesting part — the famous stipulation about Harvard is actually much more specific than it is recounted. It kicks in if the trustees display something she did not own at her death, or change the “general arrangement” of items on the first, second, and third floors — “except for the kitchen and adjacent bedrooms on the first floor.” Then everything — the land, the building, paintings, statues, trinkets, furniture, books, and a $1.2 million fund — must be sold by Harvard, and not in Boston, but in Paris, with the proceeds going towards either salary increases for professors or scholarships no less than $1,200 each per year. The fourth floor and the attic are not included in this restriction — that’s where the director lived, to whom she bequeathed an apartment rent-free, $5,000 a year, a month of vacation, and up to two servants paid for by the museum.
The will does not grant free admission to everyone named Isabella — some online sources refer to the will, but no, that’s a marketing ploy. Moreover, it states precisely the opposite: the director himself should nearly personally collect admission fees, “as the greatest public good will be achieved by such a fee,” and the museum should be open only on specific days. So the twenty-five dollars for a ticket is literally her will. She also prohibited “extravagant expenditures” on maintenance, with any excess to be given every five years to two Boston hospitals, one for a free bed.
Every year on April 14th, on her birthday, trustees are required to conduct a memorial service in the chapel at the end of the Long Gallery — the museum still does this to this day. The remainder of her estate was divided between the children’s hospital, child and animal protection societies, with the animal protection society receiving money on the condition that they spend $75 a year on a free stall in memory of the horses Dolly, Pluto, and Lady Betty and $35 on a kennel in memory of the dogs Kitty Wink and Patty Boy.
Hi, I'm Rauf Aliev. 