Journeys and Challenges: From Washington to Mount Rainier | July 20 2025, 20:31

From Washington to Washington. Moments

From Washington to Washington. Moments. #mountrainier

I shoot three times a year, and it’s quite engaging. I wanted to say that carrying a heavy camera for 15 km (with an elevation >100 floors) while hopping on rocks in the mountains is not easy, until we met a girl there who walked the whole way barefoot.

Exploring the Luminescent Life of Fireflies | July 05 2025, 05:02

While walking with Yuka, suddenly the owner falls on his knees and digs around in the grass for a while. That’s when I found a firefly and wanted to capture it lighting up. The firefly Photinus pyralis is quite common here, but I never got around to studying it closely.

Interestingly, the females of another genus of fireflies, Photuris, use the flashes of Photinus males to locate and eat them. It has been discovered that the females acquire special steroids called lucibufagins from their prey, which repel spiders.

(While figuring this out, I learned something new. Luciferase, an enzyme responsible for the glow, is extracted from these fireflies. It’s named after the word Lucifer, Latin for “light-bearer.” Interestingly, Greece also had its Lucifer, “light-bearer,” known as the god Phosphorus. Incidentally, the element Phosphorus was discovered by alchemist Hennig Brand through the evaporation of urine. He named the discovered element phosphorus mirabilis, from Latin meaning “miraculous light-bearer.” This just shows how many things in the world are connected.)

Understanding Lens Distortion in Oil Painting from IKEA Photo References | July 02 2025, 21:55

Before painting it with oil, I study the perspective in a specific photo from IKEA. And here it is very noticeable why photo references should be used cautiously for drawing: camera lenses introduce significant distortions (this was already known and visible, the question is which ones and how to fix them when transferring onto a canvas). Look at this, the ellipses in pink and green were added by me, as well as the vanishing point and lines to it. Everything on the edge is distorted. Pay attention, for instance, to the neck of the bottle on the left.

A good exercise to prepare everything in advance on the canvas.

Alone Against the Ocean: A Tale of Feng Shui and Sargassum | June 26 2025, 19:26

On the shore, a lone woman was seen engaging in an unequal battle with the world ocean. Armed with a shovel, she heroically moved the sargassum two centimeters to the left, apparently to a place designated for them by feng shui. To the left and right to the horizon—nobody.

Switching to Pencil: Mastering the Art of Drawing with Three and a Half Rules | June 20 2025, 12:53

In the studio, we decided to switch from oil to pencil, which I hadn’t touched for years (and, frankly, never really knew how to use properly). But with practice, I understood just three and a half rules of good drawing.

1. Draw what you see, not what you think you should see if you look at the reference. This is the most difficult part because it involves fighting your own brain, which is convinced it knows what things look like.

2. Judgment of proportions. If something occupies a fifth on the reference, you need to distinguish it from a sixth or a fourth, and of course, see exact halves and thirds clearly. It’s like having a musical ear. If an imaginary line ends at a point on the ear, you need to see this imaginary line. It’s not hard, but requires practice, and it seems you need to practice it all your life. Interestingly, you are initially surprised at how wrong you are about proportions. There are many small optical illusions that one must get used to.

2.5. Angles. A continuation of judging proportions. You need to see the difference between, say, 45 and 40 degrees at least. And see where to turn the wrong line and by how much.

3. Ability to simplify. Any complex shape needs to be simplified in the mind to straight lines and shapes and draw those first, and also to reduce reality to spots of a maximum of a few shades (with white and black at the edges).

That’s all. If you master just these three and a half points, you won’t need anything else for a long time. No knowledge of anatomy, understanding of materials, or laws of perspective (all this is important, but comes later).