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Faustian Dialogues in Modern Project Management | June 20 2025, 15:00

I think project managers can very well speak to developers in the words of Faust.

Well, here we go again, in the old manner

With you – all is uncertainty, all doubts,

In everything you create difficulties,

And for all, you wish for new rewards!

When will you, without any further talk, —

One, two: look, — and everything is ready soon!

(For context – this is Faust’s reaction to the refusal of the seemingly omnipotent Mephistopheles (Devil) to bring Helen of Troy and Paris from the realm of shadows to the stage for the Emperor’s amusement)

director

Don’t forget anything:

What can be done immediately,

Why put it off till tomorrow?

We must instantly grasp

All that is necessary and possible

(…)

“You have poorly executed it,

And left a gap in the corner”

And the designer might reply:

And you do not see, how vile and shameful

This craft?

Am I not an artist?

To the Manager:

“Fire! Help! Hell! We are all going to burn now!”

Switching to Pencil: Mastering the Art of Drawing with Three and a Half Rules | June 20 2025, 12:53

In the studio, we decided to switch from oil to pencil, which I hadn’t touched for years (and, frankly, never really knew how to use properly). But with practice, I understood just three and a half rules of good drawing.

1. Draw what you see, not what you think you should see if you look at the reference. This is the most difficult part because it involves fighting your own brain, which is convinced it knows what things look like.

2. Judgment of proportions. If something occupies a fifth on the reference, you need to distinguish it from a sixth or a fourth, and of course, see exact halves and thirds clearly. It’s like having a musical ear. If an imaginary line ends at a point on the ear, you need to see this imaginary line. It’s not hard, but requires practice, and it seems you need to practice it all your life. Interestingly, you are initially surprised at how wrong you are about proportions. There are many small optical illusions that one must get used to.

2.5. Angles. A continuation of judging proportions. You need to see the difference between, say, 45 and 40 degrees at least. And see where to turn the wrong line and by how much.

3. Ability to simplify. Any complex shape needs to be simplified in the mind to straight lines and shapes and draw those first, and also to reduce reality to spots of a maximum of a few shades (with white and black at the edges).

That’s all. If you master just these three and a half points, you won’t need anything else for a long time. No knowledge of anatomy, understanding of materials, or laws of perspective (all this is important, but comes later).

Cultural Codes: How T-Shirt Messages Connect Us Globally | June 19 2025, 16:13

I’ve long noticed that in the USA, people read the inscriptions on t-shirts and polos. When I lived in Russia, I remember, generally nobody pays attention to them. Or they do, and forget the next second. It’s normal for us to comment if we like something. I wonder what it’s like in Europe.

I have a t-shirt that says “2020 ★☆☆☆☆ Very bad. Would not recommend”. It’s already outdated, but I still regularly get comments on it.

In certain groups here, there’s a whole communication system based on what you wear. It seems among teenagers, it’s especially strict, and standing out isn’t welcomed, which is why many just dress like “carbon copies” — the same colors, the same brands 🙂 Well, obviously, students wear hoodies and t-shirts with their university’s symbols (I can hardly imagine putting my RGRTA on a t-shirt).

Exploring Faust and the Zoologist: The Dual Life of Translator Khodkovsky | June 18 2025, 04:06

I’m listening to the second part of Faust and simultaneously googling translator Holodkovsky. It turns out that translating Faust was something of a hobby for the scholar-zoologist Holodkovsky, spanning 60 years. Holodkovsky has hardly any original writings—only translations, and from the translations, everything else, as they say, is minor details.

That is, Goethe wrote Faust for 60 years, and the entomologist-translator translated it for 40 years and spent another 20 catching bugs, imagine? What a scale of projects.

In fact, apart from being the author of probably the best translation of Faust, Holodkovsky is almost absent in literature. But as a zoologist, he left much more of a mark. True, it’s hard for non-entomologists to read without a smile, but here are his main works: “Male Genitalia of Diptera,” “Atlas of Human Helminths,” “On the Oral Organs of Some Insects Parasitizing Humans,” “Coexistence and Societies of Animals,” and others.