My apples are almost ripe #pictured


My apples are almost ripe #pictured


At the “Rzhipopisi” exhibition, a painting titled “Paris through the Eyes of Samuel Morse” was showcased. Essentially, dots and dashes—it sparked the idea for this post. Few know that Samuel Morse was actually an artist, and quite a decent one—check out a couple of his paintings attached to this post. But he was only “decent” by our standards—surrounded by many equally skilled artists, he considered himself a failure in this realm and devoted the second half of his life, 35 years, solely to the telegraph. (By the way, Hitler was also an artist, amateurishly decent, but more mediocre compared to Morse amidst his contemporaries, yet he ventured into politics). In the attached photos, there’s a painting with paintings. Its actual size is about two meters and among the paintings hanging there is even the Mona Lisa (La Joconde) by Leonardo da Vinci, which wasn’t valued back then as it is now. It mainly became famous after it was stolen from the Louvre, and then fervently searched for and found by the entire world.
By the way, Morse Code was not invented by Morse, but by Alfred Vail, his colleague—a fact Morse later repeatedly denied (while also attributing the invention of the telegraph itself to himself). In 1848, the Vail/Morse code was refined by the German Friedrich Gerke. The code, improved by Gerke, was used until new technologies came along.
(By the way, I don’t understand why it’s Morse and not Morz. He was American, and nobody ever called him Morse.)
Indeed, among people who were artists, about whom everyone has forgotten that they were artists because they remembered something else, it is worth mentioning besides Hitler, also Winston Churchill and George W. Bush Jr.





Watch with sound. That’s when the creators’ imagination was at work. It was really boiling over
Interestingly, depicting the sun in a painting is a very recent invention. I haven’t seen a single painting in any museum where the sun is depicted above the horizon. Well, maybe with the exception of the Impressionists, Monet’s is very symbolic. In modern works, it appears more often. But in half, it’s a trace from a photograph.
Update: Turns out Aivazovsky has a lot of this. But he produced so many paintings in the studio with his students that it seems you can find any combination of little ships, waves, and sun.







Friends, I am currently at the opening of Marcia Klioze’s exhibit at the Arts Club Of Washington and I am absolutely thrilled! I am so happy for my wonderful mentor, from whom I have been learning oil painting for two and a half years. Today her solo exhibition is here, and the atmosphere is simply magical.
I am proud to be learning from her invaluable experience and learning to see the world anew. Next Tuesday is another class😉 I’ve wanted to post her works for a long time, and today I finally have the opportunity to share (I asked for permission, so it’s all official)!
Almost all works are for sale, for those who are interested, do drop by

















Judging by the likes and shares, the previous collection was a hit, so here’s more! Context: Found a group on Telegram called “Pun Painting,” which was very delightful. Spent an hour during vacation using a script to download the paintings and apply their custom titles from their channel.
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An interesting artist — Kal Gajoum (Canada, 1968). His works are amazing. Mostly cityscapes, but there are also a few still lifes. Judging by the number of works, Kal somehow manages to create these masterpieces almost like on a conveyor belt, yet you never feel like adding or removing anything from a single piece. For me, it’s the perfect balance of abstraction and realism. Enjoy 🙂























I discovered a hilariously wacky group on Telegram, “Rzhivopis.” I spent an hour on vacation using a script to download their paintings and overlay them with their custom titles from their channel. Then two more hours reviewing them all and picking out the best. Definitely subscribe, there are about 2000 paintings, I won’t post that many, but maybe next time there will be a second part of the funniest:)
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It’s interesting that even a little experience in drawing portraits makes one see patterns in other people’s faces that you wouldn’t think about otherwise. For example, you look at someone’s face, and some points on the face converge into an equilateral triangle. Or the shadow from the sun forms a notable pattern. Or some lines are strictly parallel or perpendicular. And at that moment, you feel like grabbing a pencil and trying to sketch it. At this point, it seems that achieving a likeness is a piece of cake.
Or you notice that a silvery dress is the darkest thing in the picture and probably needs to be depicted almost in black. With highlights, of course. This contradicts the notion that “a silvery dress is just a shiny white.”
Sometimes you look at someone’s face, reassured that the typical proportions are maintained, or, conversely, that they are not. There are also optical illusions. They are the most interesting. It’s when it seems that some point exactly divides a segment in half, but as soon as you measure, it turns out not to be the case.
It’s also interesting that our eyes deceive us about what lines are and what are not lines. Here, it would be more correct not to use the word line” but edge.”
What was the architect smoking?
