Category: art

The Art of Beauty Marks in Historical European Portraiture | July 28 2026, 06:34

It is interesting that the artist did not hesitate to place a black beauty spot on the temple of the hawthorn seller in this painting. At that time, it was a very typical accessory. They were applied to cover skin defects and quickly became an essential element of makeup. The black color of the beauty spot fabric created a strong contrast, visually emphasizing the aristocratic paleness and whiteness of the face, and also drawing attention to the eyes. In Europe (including Spain, where Lorenzo Tiepolo worked), there was a complex “language of beauty spots”. Depending on where the piece of fabric was attached, it conveyed a specific message to suitors.

But they probably would not have understood piercings and tattoos 🙂

The CIA’s Secret Role in Promoting American Avant-Garde Art | July 28 2026, 05:15

Today I learned that the popularity of American avant-garde worldwide turns out to be the result of a CIA program—at least in part. During the height of the Cold War, starting in 1950, the CIA secretly funded magazines, concerts, and exhibitions throughout Europe through the “Congress for Cultural Freedom” and front organizations (the most famous being the Fairfield Foundation). The idea was simple: to demonstrate that the free West produces bold experimental art, while the USSR produced only state-controlled socialist realism. For example, when London’s Tate Gallery couldn’t afford the “New American Painting” exhibition in 1959, a “generous patron” Julius Fleischman suddenly appeared—though the funds actually came from the intelligence budget.

The most astonishing fact is that the artists themselves had no clue. Pollock, Rothko, de Kooning, who came from the left-wing bohemia of the 1930s, despised the government and the era of McCarthyism, and would have considered it insulting to work for the intelligence. The CIA didn’t propose: they didn’t pay the artists or dictate anything, they simply “promoted them in the dark,” paying for the infrastructure of fame through two or three layers of intermediaries. It reached the point of absurdity. While one hand of the government secretly transported their canvases across Europe as a symbol of American freedom, the other—the FBI and conservative congressmen—kept files on the modernists and branded their art as “communist smears.”

Rediscovering Pyotr Boborykin: The Prolific 19th Century Wordsmith | June 13 2026, 16:47

I find it astonishing that an unknown to me Pyotr Boborykin wrote heaps in the 19th century, introduced words like “intelligentsia” and “nonsense-maker” into the language. Considered the most prolific writer of the 19th century. Almost no one knows him besides a few philologists. And yet, the guy was a star in his time.

Boborykin was deeply concerned that he would remain in the history of literature as a “secondary” author, so he wrote furiously. He authored about 20 large novels and countless smaller works. 12 volumes, 350 pages each. Essentially, he was the Darya Dontsova of his era. He has a novel “Vasiliy Terkin” which you might have heard of, but not his; you’re likely thinking of the poem by Tvardovsky by the same name, who knew nothing about the novel at all, these were different Terkins.

For instance, finding the novel “Doctor Tsybulka” online is very challenging; there’s only one PDF in the form of a reprint with pre-revolutionary orthography.

Freeports: Tax Havens for the Wealthy’s Art and Wine | May 30 2026, 14:15

Freeports are tax-free storage facilities that wealthy people use to store their investments in art, wine, and artifacts. The Geneva Freeport stores more artworks (both in quantity and value) than the Museum of Modern Art (MoMA) in New York. In 2013, the freeport contained about 1.2 million artworks. In addition to paintings and gold bars, it stores about three million bottles of wine. Freeports are closed to the general public and have been repeatedly used to store stolen paintings and cultural valuables.

They are not exactly free, or rather, not free at all. The only “free” thing you get is the right to store, buy, and sell anything within a certain territory without paying taxes… the goods, while within its territory, are considered “in transit,” that’s all. But this only lasts until you export the goods from there. At that point, you will have to pay taxes to the treasury of the country into which you are importing the item or money.

I learned about such a model from a recent video by Varlamov-Chichvarkin about wines, googled it, and it turns out that while wine is a minor thing, it’s much more significant with art.

Script Evolution: Creating Multi-Dimensional Word Art | May 27 2026, 21:12

I created a script that generates inscriptions readable as three different words from the left, right, and top. Overall, this is a development of what I had in my previous post – there it was only left-right. One script generates triplets of words from a dictionary, which technically can be done. Another creates a 3D model that can be thrown onto a printer (might do that today), and the third does a visualization of this model – see video

Scripting Letter-Matched Phrase Translations | May 27 2026, 18:28

Made a script that creates stuff like this. You can translate different phrases into each other, as long as the number of letters matches. Now thinking about printing it on a 3D printer, it’s all ready

Exploring Algorithmic Image Processing for Large Format Printing | May 24 2026, 22:40

I’m playing with algorithmic image processing. Images only look interesting when printed in a large format – because all these fine lines merge when scaled to a phone screen. I’ll post a close-up in the comments.

It works like this: an image is given as input, and it is divided into squares of different sizes. Each square represents one number: how dark it is. The darker it is, the more lines are drawn inside. The lines are not straight – they are Bezier splines. They smoothly transition from one square to another because the points at the boundaries are shared. What results is not a grid, but a single continuous thread. Color – the image is split into CMYK channels (like in printing). Each channel is processed separately: its own grid, its own lines. Then the layers are superimposed on each other – and from three or four black-and-white plates, a colored picture emerges.

The image doesn’t look blocky because the splines smoothly transition from one square to another, but there is a problem: dividing the image into 10×10 squares essentially reduces the resolution tenfold. To correct this, several passes are made with different square sizes and shifted grids. The first pass uses large cells, the second is finer and shifted 10 pixels to the right, the third is even finer and shifted diagonally.

The entire process is controlled by a JSON config – separate parameters for each channel, specific settings for each pass within a channel. On output – SVG, which can be scaled to the size of a wall without loss of quality, and PNG, in which CMYK layers are superimposed with transparency.