It turns out that in the first version of the painting “Unexpected” the main character was a woman, a Narodovoltsy revolutionary! This was a smaller version, later Repin painted a larger one with a man – the one everyone knows.
And the first version is kept in the Tretyakov Gallery but it is not displayed.
Well, as everyone knows. In general, Russian and Ukrainian artists are hardly known outside their countries. There seems to be one painting by Repin in the Metropolitan Museum of NY and a few in the Orsay, but that’s almost nothing, and I wouldn’t be surprised if they are all in storage.
Here people know Rublev, the Russian avant-garde (Malevich, Kandinsky, Chagall), but nobody (except professionals) knows Shishkin, Levitan, Vasnetsov, Surikov, Savrasov. Despite the fact that many of them studied in Europe and worked from there. Remember Ivanov and his “The Appearance of Christ Before the People”.
Now I’m googling why. They write that the French considered Russian art of that era something akin to journalism in oil. Like, using the canvas as a platform to preach morals, tell stories, expose social injustices. Social drama, suffering peasants, harsh winter landscapes, and execution scenes – all this seemed frightening to Americans. Kind of like Dostoevsky in oil. How can you hang that above a fireplace?





















