Category: Music

Theremin Tones at Splean’s Concert: A Musical Blend | December 05 2025, 23:29

Thereminvox at a Splin concert yesterday. It turns out that this seemingly borrowed word doesn’t exist in English. Instead, the name of this musical instrument is theremin because the generic family name of Lev Theremin had French roots and was spelled as Theremin. The thereminvox was nicely incorporated into the arrangement, although it was played quite simply by a musician from Rostov, and the thereminvox itself had only one antenna.

Among the musicians, Meshcheryakov, the drummer, really stole the show. The most melancholic was the guitarist, Vadim Sergeyev. He just stared motionlessly into the crowd, almost immovable, but performed his part very precisely – evidently, professionalism can’t be diluted.

Lost in Translation: Modernizing Opera Subtitles | November 19 2025, 02:31

This must be about my tenth staging of Le Nozze di Figaro. And I still can’t understand why no one ever bothers to make modern, well-constructed subtitles instead of something that resembles a product of prehistoric “Google translate”. Every single line is translated from Italian in such a barbaric way that it’s about to make one’s eyes bleed. And for what reason? The Italian is certainly not modern either, but if you undertake to translate, then do so in a way that the meaning can be grasped within those tens of milliseconds when your eyes dart to the screen. Now, you land on a text that takes a minute to chew over… Every woman makes me change colour… Instead of make me blush or make me pale… If you are fain to dance… And all that stuff.

Instagram’s Nostalgia Marketing: Channeling t.A.T.u for Teen Engagement | November 12 2025, 12:51

Instagram advertises accounts to teenagers with a girl strongly resembling a young Lena Katina from t.A.T.u 😉

From Opera to Oblivion: The Fascinating Journey of Lorenzo Da Ponte | September 22 2025, 18:53

We just finished watching Le Nozze di Figaro with Nadezhda in a serialized mode and today we’ll continue with Don Giovanni, also in a serialized mode, because no one has the time. So, both of these operas were written by an American 🙂 I mean the librettos. Turns out, Lorenzo Da Ponte, an Italian librettist, emigrated, naturalized in the U.S., lived here 33 years, taught Italian literature at Columbia University in New York, founded an opera theater in the USA, which became the precursor to the New York Academy of Music and the New York Metropolitan Opera. Really an interesting dude. His real name was Emanuel Conegliano. A Jew by birth, who became a Catholic priest, a friend of Casanova, and a supporter of Rousseau’s ideas. Before moving to the U.S., Da Ponte successfully juggled teaching and a small business, earning not so much from lectures as from owning a brothel for aristocrats which he maintained. In the U.S., he kept a grocery store in New Jersey and tried selling medicines in Pennsylvania. Lorenzo Da Ponte died on August 17, 1838, in humiliating poverty, a few blocks away from the boarded-up building of his theater. His grave in one of the New York cemeteries, which was not marked, eventually got lost. Essentially, the same post-mortem fate befell his friend Mozart.

Concert Weeks: From Pink Martini to Postmodern Jukebox | July 30 2025, 03:40

I have two weeks of concerts. Today — Pink Martini! Next week Postmodern Jukebox, and this past weekend was a great piano concert (Beethoven, Shostakovich, Chopin, Rachmaninoff at the Washington Piano Festival). Facebook cuts out the sound from concert recordings, so I’m attaching a cool video that’s already been cleared (or missed) by Facebook from some Pink Martini performance, featuring Thomas Lauderdale with Hunter Noack, who is either his wife or husband, and I’ll try to add my own in the comments

Exploring Unusual Time Signatures: From Prokofiev to Pink Floyd | July 28 2025, 05:32

A small concert at a Catholic university. Prokofiev’s 7th sonata features a tricky musical meter — 7/8. It’s interesting, but it seems I’ve never heard or known anything else in this meter. Early 20th-century composers were quite the innovators. Oh, I remember now. The closest to 7/8 was in Pink Floyd’s “Money” with their 7/4.